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McCartney - McCartney flac

Tracklist

1Man We Was Lonely
2Momma Miss America
3Valentine Day
4Every Night
5The Lovely Linda
6Singalong Junk
7Hot As Sun
8Glasses
9Junk
10That Would Be Something
11Kreen - Akrore
12Oo You
13Maybe I'm Amazed
14Teddy Boy

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
PCS 7102, 1E 062 o 04394, PCS7102McCartney McCartney ‎(LP, Album, Gat)Apple Records, Apple Records, Apple RecordsPCS 7102, 1E 062 o 04394, PCS7102UK1970
noneMcCartney McCartney ‎(2xCDr, Album, Dlx, Promo, RM)MPL , Hear Music, Concord Music GroupnoneEurope2011
2C 264-04394 Paul McCartney McCartney ‎(Cass, Album)Apple Records2C 264-04394 France1970
C4-46611Paul McCartney McCartney ‎(Cass, Album, RE, RM, XDR)Capitol Records, MPL , ParlophoneC4-46611US1988
CP32-5454Paul McCartney McCartney ‎(CD, Album)OdeonCP32-5454Japan1987
CategoryArtistTitle (Format)LabelCategoryCountryYear
noneMcCartney McCartney ‎(2xCDr, Album, Dlx, Promo, RM)MPL , Hear Music, Concord Music GroupnoneEurope2011
2C 264-04394 Paul McCartney McCartney ‎(Cass, Album)Apple Records2C 264-04394 France1970
C4-46611Paul McCartney McCartney ‎(Cass, Album, RE, RM, XDR)Capitol Records, MPL , ParlophoneC4-46611US1988
CP32-5454Paul McCartney McCartney ‎(CD, Album)OdeonCP32-5454Japan1987
HRM-32797-02, 888072327979Paul McCartney McCartney ‎(CD, Album, RE, RM + CD, Comp, RM)MPL , Hear Music, Concord Music Group, MPL , Hear Music, Concord Music Group, Universal Music Group International, Universal Music Group InternationalHRM-32797-02, 888072327979Thailand2011

Credits

  • Backing Vocals [Harmonies]Linda
  • Photography ByLinda McCartney
  • Vocals, Instruments, Producer, Written-ByPaul McCartney
  • Harmony Vocals [Harmonies]Linda McCartney
  • Instruments, Voice [Voices]Paul McCartney
  • Photography ByLinda
  • Written-By, ProducerPaul McCartney

Notes

Released in a fold-out cover with a plain white Apple inner sleeve, carrying a patent caption at the bottom left.
label reads: PCS7102
sleeve back also reads: 1E 062 o 04394

Bottom of sleeve back reads:
EMI Records
(The Gramophone Co. Ltd.) Hayes, Middlesex, England
Printed and made in England

Barcodes

  • Matrix / Runout (A-side): YEX 775
  • Matrix / Runout (B-side): YEX 776
  • Matrix / Runout (A-side, variant 1): YEX 775 A-2U MM C
  • Matrix / Runout (B-side, variant 1): YEX 776 B-2U H0 4
  • Matrix / Runout (A-side, variant 2): YEX 775 A-2U RL
  • Matrix / Runout (B-side, variant 2): YEX 776 B-2U RL 3
  • Matrix / Runout (A-side, variant 3): YEX 775 A-2U 2 GA
  • Matrix / Runout (B-side, variant 3): YEX 776-1U 1 T, B
  • Matrix / Runout (A-side, variant 4 stamped): YEX 775-3U RA 2
  • Matrix / Runout (B-side, variant 4 stamped): YEX 776-4U P 1
  • Matrix / Runout (A-side, variant 5): YEX 775 A 2-U TD 7
  • Matrix / Runout (B-side, variant 5): YEX 776 B-2U OH 4
  • Matrix / Runout (A-side, variant 6): YEX 775 A 2-U AP 1
  • Matrix / Runout (B-side, variant 6): YEX 776 B-2U HL 1
  • Matrix / Runout (Label A): YEX 775
  • Matrix / Runout (Label B): YEX 776

Companies

  • Record Company – Apple Records
  • Record Company – The Gramophone Co. Ltd.
  • Published By – Northern Songs Ltd.
  • Pressed By – The Gramophone Co. Ltd.

Album

Sure, he double tracks, and weirdly synthesizes, his voice. Популярность альбома, как говорят , объяснялась не его музыкальными качествами, которые были, мягко говоря, посредственными, а только лишь тем фактом, что это был первый сольник экс-битла,Маккартни. Paul McCartney retreated from the spotlight of the Beatles by recording his first solo album at his home studio, performing nearly all of the instruments himself. Wonderful Christmastime. 2019 сингл DJ Chris Holmes Remix. Релиз состоялся 17 апреля в Великобритнии и 20 апреля - в США на Apple. Nick DeRiso. He recorded the album in secrecy, mostly using basic home-recording equipment at his house in St John's Wood. Numerous stories in the world press made the same message a headline event just three days before the album went on sale - PAUL AND LINDA FIND HAPPINESS AWAY FROM THE BEATLES. McCartney is ranked 1,712th in the overall chart, 338th in the 1970s, and 44th in the year 1970. There's also no mention of McCartney's forays into classical or songbook pop, so 2012's Kisses on the Bottom isn't here either. 2016 сингл. Paul McCartney Albums Ranked Worst to Best. Paul McCartney - The Lovely Linda. is the first solo album by English musician Paul McCartney. related media. Mixing and some later recording took place at professional studios in London. Ultimate Classic Rock. When it comes to our list of Paul McCartney Albums Ranked Worst to Best, some things are expected. Apart from then-wife Lindas vocal contributions, McCartney performed the entire album by himself, playing every instrument. Perhaps unsurprisingly, McCartney appears with an acoustic guitar for one of the strongest tracks on a goofball experimental dud of an album. The top rated tracks on this album are Maybe I'm Amazed and Junk. This album is rated in the top 7 of all albums on . McCartney is a music album by Paul McCartney released in 1970. Формируйте собственную коллекцию записей McCartney retreated from the spotlight of the Beatles by recording his first solo album at his home studio, performing nearly all of the instruments himself. Appropriately, McCartney has an endearingly ragged, homemade quality that makes even its filler - and there is quite a bit of filler - rather ingratiating. The rest of the album is charmingly slight, especially if it is read as a way to bring Paul back to earth after the heights of the Beatles. In fact, a couple of Top 10 items on this list of Paul McCartney Albums Ranked Worst to Best date to the 2000s, a period when many of his contemporaries had devolved into oldies acts. In its preference for loosely arranged performance, McCartney eschewed the polish of the Beatles' past records in favour of a lo-fi style. With its pastoral imagery, One of These Days sounds like it could have been a throwaway from the White Album. Every Night. Id just go in for the day like Monsieur Magritte. McCartney's trademark. Egypt Station. Paul McCartney, Wings, Timo Maas, James Teej. To favorites 25 Download album. Still, Paul continued making vibrant music well into the new century, and that leaves plenty of great music to discuss. Listen album. Songs in album Paul McCartney - McCartney 1970. Paul McCartney, Jimmy Fallon, The Roots. В американском рейтинге Billboard 200 McCartney достиг первого места, а в Англии - только второго. MPL Communications Ltd. McCartney is the debut solo album by English musician Paul McCartney, released on 17 April 1970 by Apple Records. Paul McCartney. McCartney II 1980: One of These Days. Apart from occasional contributions by his wife, Linda, he. Now, quietly effective may sound like a backhanded compliment it certainly would have been a huge disappointment in previous decades. Paul McCartney - McCartney 1970. Timo Maas & James Teej. Hot As Sun, Glasses Remastered. McCartney is an album that wants desperately to convince. The McCartney album was good fun, Paul remembers, because I got a machine from EMI, only a four-track, and I just had it in my living room where I lived in London at the time. Release Date: 17th April 1970 UK, 20th April 1970 USA Paul McCartney - All instruments and vocals Linda McCartney - Harmonies All tracks composed by Paul McCartney Produced & arranged by Paul McCartney. To favorites 23 Download album. Nineteen Hundred And Eighty Five Paul McCartney & Wings Vs. It was issued on Apple Records in April 1970 after McCartney had resisted attempts by his fellow Beatles to. McCartney's trademark. In its preference for loosely arranged performance, McCartney eschewed the polish of the Beatles' past records in favour of a lo-fi style. He recorded the album in secrecy, mostly using basic home-recording equipment at his house in St John's Wood. Featuring loosely arranged and in some cases, unfinished home recordings, McCartney explored the back-to-basics style that had been the original concept for the Let It Be project in 1969. But thats the extent of the adornments found on this quietly effective ballad. Its explicit and uniform message is that Paul McCartney, his wife Linda and family have found peace and happiness in a quiet home away from the city and away from the hassle of the music business. Go in and do a little bit of stuff and make something up, and knock off in the evenings. 2017 сингл. Формируйте собственную коллекцию записей McCartney. The album jacket with dozens of family snapshots proclaims that Paul and Linda have found peace and happiness in a way that seems redundant and overdone. Pure McCartney. At the time the throwaway nature of much of the material was a shock, but it has become charming in retrospect

Video

McCartney - McCartney flac
Performer:
McCartney
Title:
McCartney
Genre:
FLAC size:
1362 mb
MP3 size:
2975 mb
WMA size:
2569 mb
Country:
UK
Released:
17 Apr 1970
Label:
Apple Records
Style:
Pop Rock
Rating:
4.6
Catalog №:
PCS 7102, 1E 062 o 04394, PCS7102
Made-with-Love
If you received the UK version of this album as I did in 1970, you found it full of propaganda, not just the album jacket images, but the four accompanying pages that went on endlessly about how happy Paul and Linda were to have stepped out of the Beatles, to have stepped out of the city and discovered a life for themselves and their family in a more tranquil setting.

It’s not my intention to say or imply that the album isn’t good, what I am saying is that I was sure that the character of the album would be a leap beyond the Beatles, a no doubt super-duper extravaganza which would pale in comparison to anything the Beatles had ever done. Yet compared to what the Beatles had done, this record for me was decidedly second rate, where for the first time I came to the realization that Paul could only write the likes of “Let It Be” and “Hey Jude” because John Lennon was in the wings tweaking the sound, infusing those songs with his visions, with the results being a Beatles’ song, that Lennon and McCartney were two halves of a whole, and that without each other, the solo material of these four musicians who changed the world would never equal the tenor or scope of their previous incarnation.

On the whole, even with Paul’s emphasis on simplicity, there are good and even great moments within the construct of most of the songs, yet the songs seemed rather playful and unfinished in their nature, as if there were an important element that had been intentionally left out. It’s not until “Maybe I’m Amazed,” a powerful and visionary song finds its groove that one understands that the album is about loneliness, a loneliness that can only be dispelled by love, not passion, just love. While Linda is the focal point of all this love and attention, I’m sure that subconsciously she’s standing in for his bandmates in general, where Paul is now out on his own and alone.

Most of the rest of the songs come across as fractured memories, reminding me of this or that, pleasing, yet very elusive, certainly not on even footing with anything Lennon and McCartney had done together. Though in retrospect, perhaps what Paul’s doing here is re-introducing himself to the world, where listeners are face to face with Paul’s vocals alone, minus any studio inflections. Of course all this means that if one is coming to this album with the mindset of hearing quasi-Beatles material, think again, because what you’re going to get is the simplicity of Paul, alone on his own without John to shake things up and make them bigger than they are. That being said, I imagine that those who come to this album thirty or forty years after its release, will find it to be conceptually entirely different, especially without all of the hoopla surrounding the so-recent demise of the world’s first musical love affair … instead of the hollowness I hear.

In support of my observations, Paul’s first outing was panned by nearly everyone as being lightweight and filled with fluff, while the same folks expressed concerns the Lennon’s work was too experimental in nature. McCartney was such a vital and strong aspect of the Beatles that one would think those attributes would surely manifest themselves on this record, though while this album may sound lightweight, it’s overflowing with emotional possibilities that include realism (reality), love, depression, and a seductive element for the discovery within the unknown (being on his own). Without a doubt, all of the songs are well crafted and presented with care, where perhaps this was the only sort of album Paul McCartney could have made in order to break free of his shadow.

While there may be far too many musical pathways intersecting for me to see this record as openly in 2019, as those hearing it for the first time today, perhaps that’s a really good thing, as they get to experience this record without all of the pretenses and baggage that came with the record for those of us who lived though those times.

Review by Jenell Kesler
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